
Maria Konnikova
A psychological exploration of how con artists manipulate trust and emotion to deceive victims through expertly crafted confidence games.
Confidence games have been documented since at least the 16th century.
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Section 1
7 Sections
In the intricate dance of deception, the players are twofold: the grifter and the mark. The grifter, often cloaked in charm and possessing a mind wired for manipulation, embodies a unique psychological blend known as the dark triad—psychopathy, narcissism, and Machiavellianism. These traits empower them to deceive without remorse, to weave elaborate tales with a grandiose sense of self, and to strategically exploit the vulnerabilities of others. Yet, the mark is not merely a fool or a naive soul.
Consider the astonishing fact that in everyday conversations, people lie on average three times within just ten minutes. This reveals a fundamental truth about human nature: deception is woven into the fabric of social interaction, ranging from harmless white lies that smooth social friction to the calculated frauds that devastate lives.
The grifter’s success hinges on their ability to read and manipulate this trust. Their dark triad traits—lack of empathy, inflated self-importance, and cunning manipulation—are not confined to criminals alone but are found in many high-profile professions. What distinguishes the con artist is the choice to wield these traits for personal gain at others' expense.
Meanwhile, the mark’s vulnerability is often situational. Emotional upheaval, such as the loss of a job, a broken relationship, or financial strain, weakens the defenses that rationality might otherwise provide.
As we move forward, we will explore how the con artist selects their mark with precision, using subtle cues and intuitive psychology to identify the perfect target. This process, known as the put-up, is the foundation upon which the entire confidence game is built. Understanding this first step will illuminate the delicate balance of perception, trust, and manipulation that defines the art of the con.
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