
Gregory Benford
A visionary exploration of the origins of psychohistory and the political, philosophical, and ethical challenges faced by Hari Seldon in the declining Galactic Empire.
Foundation's Fear is the first book in the Second Foundation Trilogy, authorized by the Asimov estate after Isaac Asimov's death.
Section 1
7 Sections
Let us begin our journey with a gentle awakening, as if the first rays of dawn are touching the endless cityscape of Trantor. Imagine a world wrapped in steel, where the air hums with the quiet calculations of billions, and at its heart, a single mind dares to dream of understanding it all. This is the story of psychohistory’s genesis, a science so audacious it seeks to predict the very future of humanity.
Seldon is not a conqueror, nor a politician by choice. He is a mathematician, a seeker of patterns—a thinker who, while walking across the university grounds, feels the weight of the crowds and the burden of their expectations. His journey begins not with ambition, but with a question: can the chaos of history be tamed by reason? The answer, he suspects, lies in numbers, in equations that capture the rise and fall of empires as surely as they describe the orbit of stars.
Early on, Seldon’s ideas are met with skepticism, even laughter. Yet he persists, aided by friends who see the glimmer of possibility in his work. These early chapters remind us that every great leap forward begins in obscurity, often misunderstood and resisted. The vision of psychohistory is not just about predicting the future; it is about hope—that even in the face of decline, knowledge can light the way.
In the background, political storms gather. The Empire is vast but crumbling, its rulers distracted by intrigue and spectacle. Seldon’s appointment as First Minister is less a triumph than a challenge, thrusting him into the heart of a system resistant to change.
As you listen, consider how every epoch of progress begins with a single question, a refusal to accept that the future is unknowable. The power of visionaries lies not in certainty, but in the courage to seek understanding where others see only chaos. And so, as the story unfolds, we follow Seldon from academic halls to the corridors of power, watching as the dream of psychohistory becomes a beacon for all who yearn for a better tomorrow.
Let us now move from the birth of an idea to the intricate dance of power and politics, where vision must contend with reality, and dreams are tested against the weight of tradition and fear.
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